ARCHIVE
TRACE MATERIAL
Retired pieces.
Trials and near-misses.
Forms that changed direction.
Some made it to the shop, some didn’t.
But all of it helped shape the work.
Remnants, fragments, half-formed thoughts.
Notes from the road.
Ideas that left a mark.
Screen to surface
Every NEC object starts as a digital model — built in 3D software, measured at the millimeter level, then engineered into a plaster mold before liquid clay ever enters the picture.
Two surfaces
Carbon trap Shino is not a predictable glaze. The exterior looks like something that spent time underground — mossy, muted, slightly dark. The interior fires clean. Two surfaces. One firing. Neither can be controlled.
